Vinnie Rossi Integrated REVIEW
Marc Phillips of PTAudio published a new Vinnie Rossi review of the new Brama Gen 2 Integrated amplifier in March. Marc wrote: “One of our writers, Dr. Matthew Partrick, owns a gen2 Brama integrated and uses them with Volti Audio Rivals. And then, I travel all the way to The Voice That Is last September to hear the Acoustical Systems A*stellar turntable with TIDAL Audio Piano G3s, and Doug White is using the gen2 Brama in that exquisite system.“
“A great place is Brian Bromberg’s LaFaro, a tribute album from one extraordinary jazz bassist to another. Doug White from The Voice That Is sent this LP to me, so you know it must be a sonic spectacular, and it’s slowly become utterly indispensable as a demo recording. One of the strengths of LaFaro is the fullness and complexity of the sound and the sheer amount of presence it contains–it’s a piano trio and yet it’s full of intricate textures that almost trick you into thinking that there’s a larger ensemble in the studio.”
“The Vinnie Rossi gen2 Brama isn’t alone at recreating this feeling of expansion–most of the amplification I use can dig that out of the earth–but I heard more of the whys and hows. Much of this is due to the chemistry between Blomberg and pianist Tom Zink and drummer Charles Ruggiero. It’s remarkably easy to come to the conclusion that these three men have played together for a very long time, and they know how to bolster the performance as a whole through pure emotional support and passionate commitment to the material. What’s the purpose of jazz if you can’t bounce off each other out on that stage? You hear all that with the gen2 Brama.“
You can read the full Vinnie Rossi Integrated review at PT.Audio.
The Brama 2 integrated can auditioned in our studios. Schedule your private demo today.
About the Author: doug
My sonic taste prefers accurate reproduction of the recording engineer’s efforts where instruments have tonality and texture. I frequent live concerts and, because I have musician friends who perform nationally and internationally, my need to play is suppressed. More importantly, it keeps me in touch with the reality of the live performance. It was when I stopped playing did I have the realization that my audio system was not true to my playing experience. That’s when my search began – visiting, and later working in, high end audio stores.
